A Good School by Richard Yates PDF

By Richard Yates

Richard Yates, who died in 1992, is this day ranked by way of many readers, students, and critics along such titans of recent American fiction as Updike, Roth, Irving, Vonnegut, and Mailer.

In this paintings, he deals a spare and autumnal novel a few New England prep institution. right now a meditation at the twilight of minor and an exam of America's access into international conflict II, A sturdy School tells the tales of William Grove, the quiet boy who turns into an editor of the college newspaper; Jack Draper, a crippled chemistry instructor; and Edith Stone, the schoolmaster's younger daughter, who falls in love with so much celebrated boy within the category of 1943.

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Extra resources for A Good School

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She later witnesses Helen’s whipping with a “bunch of twigs”: “This ominous tool [Helen] presented to Miss Scratcherd with a respectful curtsy; then she quietly, without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs” (45). Helen’s disrobing and public flagellation moves Jane later to tell her, “‘But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it” (47).

It does so through a range of literary methods, beginning with—but not exclusive to—character and metaphor. Said and other postcolonial critics have already noted how Britain’s reliance on the slave trade and slave economy manifests itself in various nineteenth-century novels, from the Antiguan plantocrat Sir Thomas Bartram in Austen’s Mansfield Park to the Creole Bertha Mason in Brontë’s Jane Eyre to the West Indian sugar heiress Miss Schwartz in Thackeray’s Vanity Fair. 86 Atlantic slavery did not, however, influence British literature solely through these channels.

Reed’s] race, and unconnected with her, after her husband’s death, by any tie” (13); now she is figured as “one of the anathematised race” (151) of governesses. Mr. Rochester puts it most bluntly when he proposes marriage to Jane at Thornfield, announcing, “You will give up your governessing slavery at once” (230). While the experience of slavery is encoded metaphorically in these passages, Brontë also acknowledges the existence of a larger, global network in which these metaphors circulate. In perhaps the most famous passage from the novel, Jane speaks of the universal restiveness of all “human beings”: Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot.

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