A Passion for Books: A Book Lover's Treasury of Stories, - download pdf or read online

"When i've got a bit cash, i purchase books. And if any is left, i purchase foodstuff and clothing."
--Desiderius Erasmus

Those who percentage Erasmus's love of these curious bundles of paper sure jointly among tough or tender covers comprehend precisely how he felt. those are the folks who can spend hours searching via a book shop, thoroughly oblivious not just to the passage of time yet to every little thing else round them, the folks for whom purchasing books is a need, now not a luxurious. A ardour for Books is a party of that love, a suite of sixty vintage and modern essays, tales, lists, poems, quotations, and cartoons at the joys of studying, appreciating, and accumulating books.

This enriching assortment leads off with science-fiction nice Ray Bradbury's Foreword, during which he recalls his penniless days pecking out Fahrenheit 451 on a rented typewriter, conjuring up a society so terrified of paintings that it burns its books. This struggle--financial and creative--led to his lifelong love of all books, which he hopes will cosset him in his grave, "Shakespeare as a pillow, Pope at one elbow, Yeats on the different, and Shaw to hot my feet. stable corporation for far-travelling."

Booklovers also will locate the following a variety of writings through a myriad of fellow victims from bibliomania. between those are such modern authors as Philip Roth, John Updike, Umberto Eco, Robertson Davies, Nicholas Basbanes, and Anna Quindlen; past twentieth-century authors Chris-topher Morley, A. Edward Newton, Holbrook Jackson, A.S.W. Rosenbach, William Dana Orcutt, Robert Benchley, and William Targ; and vintage authors comparable to Michel de Montaigne, Gustave Flaubert, Petrarch, and Anatole France.

Here are also interesting and funny lists similar to the "Ten Best-Selling Books Rejected by means of Publishers Twenty occasions or More," the good books incorporated in Clifton Fadiman and John Major's New Lifetime examining Plan, Jonathan Yardley's "Ten Books That formed the yankee Character," "Ten Memorable Books That by no means Existed," "Norman Mailer's Ten favourite American Novels," and Anna Quindlen's "Ten colossal Thick exceptional Books that may Take You a complete summer season to learn (but Aren't seashore Books)."

Rounding out the anthology are decisions on bookstores, e-book golf equipment, and e-book care, plus publication cartoons, and a in particular ready "Bibliobibliography" of books approximately books.

Whether you think about your self a bibliomaniac or simply an individual who loves to learn, a keenness for Books provides you with a lifetime's worthy of exciting, informative, and gratifying examining in your favourite subject--the love of books.

A Sampling of the Literary Treasures in a fondness for Books

Umberto Eco's "How to Justify a personal Library," facing the query each person with a large library is necessarily requested: "Have you learn a lot of these books?"

Anatole Broyard's "Lending Books," within which he notes, "I believe approximately lending a e-book the best way such a lot fathers consider approximately their daughters residing with a guy out of wedlock."

Gustave Flaubert's Bibliomania, the vintage story of a publication collector so captivated with possessing a ebook that he's prepared to kill to own it.

A choice from Nicholas Basbanes's a steady insanity, at the leading edge preparations Samuel Pepys made to assure that his library may live to tell the tale "intact" after his demise.

Robert Benchley's "Why Does not anyone gather Me"--in which he wonders why first versions of books through his good friend Ernest Hemingway are priceless whereas his aren't, deadpanning "I am older than Hemingway and feature written extra books than he has."

George Hamlin Fitch's terribly touching "Comfort present in sturdy Old...

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Additional info for A Passion for Books: A Book Lover's Treasury of Stories, Essays, Humor, Lore, and Lists on Collecting , Reading, Borrowing, Lending, Caring for, and Appreciating Books

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Eliot, just do discover that the Tradition (or the ‘European mind’, as Eliot sometimes calls it) is spontaneously welling up within them, but as with the recipients of divine grace this is not a question of personal merit, and there is nothing much you can do about it one way or the other. Membership of the Tradition thus permits you to be at once authoritarian and self-abnegatingly humble, a The Rise of English 35 combination which Eliot was later to find even more possible through membership of the Christian Church.

Language had gone soft and lost its virility: it needed to be stiffened up again, made hard and stone-like, reconnected with the physical world. The ideal Imagist poem would be a laconic three-line affair of gritty images, like an army officer’s rapped-out command. Emotions were messy and suspect, part of a clapped-out epoch of high-flown liberalindividualist sentiment which must now yield to the dehumanized mechanical world of modern society. For D. H. Lawrence, emotions, ‘personality’ and the ‘ego’ were equally discredited, and must give way to the ruthlessly impersonal force of spontaneous-creative Life.

Literature would be at once solace and reaffirmation, a familiar ground on which Englishmen could regroup both to explore, and to find some alternative to, the nightmare of history. The architects of the new subject at Cambridge were on the whole individuals who could be absolved from the crime and guilt of having led workingclass Englishmen over the top. F. R. Leavis had served as a medical orderly at the front; Queenie Dorothy Roth, later Q. D. Leavis, was as a woman exempt from such involvements, and was in any case still a child at the outbreak of war.

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