By Benedetto Croce
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Additional resources for Aesthetic As Science Of Expression And General Linguistics
The terms already cited, then, sometimes indicate the successful expression, sometimes the various forms of the failures. But they are employed in the most inconstant and capricious manner, for it often happens that the same word serves, now to proclaim the perfect, now to condemn the imperfect. An instance of this is found when someone, criticizing two pictures--the one without inspiration, in which the author has copied natural objects without intelligence; the other inspired, but without obvious likeness to existing objects--calls the first realistic, the second symbolic.
The critics should think rather of how they can effect changes in nature and in society, in order that those impressions may not exist. If ugliness were to vanish from the world, if universal virtue and felicity were established there, perhaps artists would no longer represent perverse or pessimistic sentiments, but sentiments that are calm, innocent, and joyous, like Arcadians of a real Arcady. But so long as ugliness and turpitude exist in nature and impose themselves on the artist, it is not possible to prevent the expression of these things also; and when it has arisen, factum infectum fieri nequit.
The egoistic is the immoral. In this case Economy would be a very strange science, standing, not beside, but facing Ethic, like the devil facing God, or at least like the advocatus diaboli in the processes of canonization. Such a conception of it is altogether inadmissible: the science of immorality is implied in that of morality, as the science of the false is implied in Logic, the science of the true, and a science of ineffectual expression in Aesthetic, the science of successful expression. If, then, Economy were the scientific treatment of egoism, it would be a chapter of Ethic, or Ethic itself; because every moral determination implies, at the same time, a negation of its contrary.