By Margo Thompson
Because the early Seventies graffiti writers have lined subway vehicles with monstrous and complex tags. This resolutely rebellious kind of expression is the following analysed via Margo Thompson, who locations graffiti artists in relation with modern gallery artwork. simply as graffiti writers lent a voice to an ethnic minority, the writer, because of her unique procedure, serves as ambassador for this frequently misunderstood paintings shape.
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Additional info for American Graffiti (Temporis Collection)
To the left was a red spring of 1980 by businessman and art collector Sam Esses. It cartoon devil, not part of ZEPHYR’s original design, poking at marked a breakthrough in writers’ sense of what they could ‘HEROIN’ with his pitchfork. This was Ahearn’s contribution. It accomplish. ZEPHYR said: was the ‘Hot Stuff’ devil from Harvey comics, which also featured Richie Rich and were intended for a juvenile audience. ’ For two the taste for kitsch cultivated by some of the downtown artists straight months, FUTURA and I excitedly greeted graffiti with whom he associated, while writers like ZEPHYR and legends at the door–many of whom we had never met DONDI preferred comics for an older or countercultural before...
When it dissolved, he RAMMELLZEE was not a subway writer–the name he adopted formed his own crew, CIA (Crazy Inside Artists), with DURO, KEL, was clearly too long to be a functional tag–although he was the and MARE, among others, and they dominated the 2 and 5 lines leader of a crew of sorts. Observing writers and their pieces, he NOC 167, Style War, 1981. Aerosol paint on New York subway car. Destroyed. ’ Through DONDI, RAMMELLZEE met cars, top-to-bottoms–in his inimitable style. They weren’t DAZE, who remembers him carrying portfolios, not the usual traditional pieces, they were wild and crazy.
LADY PINK formed a crew of female to learn from other writers by working with them in a friendly writers called LOTA, Ladies of the Arts. LEE was one of the original competition. BLADE and COMET forged a partnership that Fabulous Five, a Brooklyn crew famous for multi-car designs: was famous among their peers. 11 DAZE liked to write with groups of friends, and said the aspiring impresario Fred Brathwaite was impressed with LEE’s 12 writers with whom he worked were too many to name. These pieces and approached him about promoting the crew.