American Gun: A History of the U.S. in Ten Firearms by William Doyle, Chris Kyle PDF

By William Doyle, Chris Kyle

Chris Kyle—fallen hero and no 1 bestselling writer of American Sniper—reveals how ten mythical weapons eternally replaced U.S. history.

At the time of his tragic loss of life in February 2013, former military SEAL Chris Kyle, the pinnacle sniper in U.S. army background, was once completing probably the most intriguing missions of his existence: a outstanding publication that retold American heritage in the course of the lens of a hand-selected checklist of firearms. Kyle masterfully indicates how weapons have performed a desirable, quintessential, and infrequently underappreciated function in our nationwide story.

"Perhaps greater than the other country within the world," Kyle writes, "the heritage of the U.S. has been formed through the gun. Firearms secured the 1st Europeans' carry at the continent, opened the frontier, helped win our independence, settled the West, saved legislations and order, and defeated tyranny around the world."

Drawing on his unequalled firearms wisdom and wrestle event, Kyle conscientiously selected ten weapons to aid inform his tale: the yankee lengthy rifle, Spencer repeater, Colt .45 revolver, Winchester rifle, Springfield 1903 rifle, Thompson sub-machine gun, 1911 pistol, M1 Garand, .38 precise police revolver, and the M-16 rifle platform Kyle himself used as a SEAL. via them, he revisits exciting turning issues in American historical past, together with the only sniper shot that grew to become the tide of the progressive conflict, the firearms designs that proved decisive at Gettysburg, the "gun that gained the West," and the guns that gave U.S. infantrymen an side on this planet wars and past. this can be additionally the tale of the way firearms innovation, creativity, and business genius has consistently driven American history—and power—forward.

Filled with an unforgettable solid of characters, Chris Kyle's American Gun is a sweeping epic of bravery, experience, invention, and sacrifice.

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Extra info for American Gun: A History of the U.S. in Ten Firearms

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Paramount also chose to spare the barn from The Squaw Man from destruction, instead moving it to the new lot, thereby preserving a physical link back to one of the places where the company originated. 58 Selma and Vine, 1926. The dismantling of the old Selma Avenue and Vine Street lot continues in these photographs with workers taking down the infrastructure of an old stage. The property where Jesse L. Lasky produced hundreds of motion pictures during the previous 12 years was subdivided, becoming the Hollywood Palladium theater, businesses, and, to the horror of Hollywood historians who rue the paving of paradise, parking lots.

To curb Zukor’s growing power in Hollywood, which was looked on by some as monopolistic, previously independent chains of exhibitors banded together in an attempt to take back some control. The exhibitors especially resented Paramount’s policy of block booking, which forced them to purchase a block of lesser films to get the movie they really wanted. The new company, First National Pictures, also moved into production, stealing Mary Pickford away from Zukor. Famous Players–Lasky, which was being increasingly marketed as Paramount Pictures by this time, retaliated by purchasing its own national chain of theaters.

The Squaw Man required only 18 days to shoot, and the final film was sent back to New York in early February in the possession of the film’s star, Dustin Farnum. 30 Jesse L. , 1914 (Continued). Before The Squaw Man could be released, a problem with the sprockets on the film had to be corrected at the Lubin Laboratory in Philadelphia. After clearing this final hurdle, the film debuted at the Longacre Theatre in Manhattan on February 17, 1914. That same week, Revier and Burns sold their interest in the Selma Avenue and Vine Street lot to DeMille, and three days later, Lasky traveled west to check out his new studio.

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