Bogotá: Grafiticity. Colombian Street Art by Jordi Raich PDF

By Jordi Raich

Bogotá: Grafiticity is a bilingual English / Spanish book
Bogotá: Grafiticity es un libro bilingüe Español / Inglés

Bogotá is the guts of Latin American road paintings. This e-book compiles 158 examples of its creativity of urgency and emergency, the terror and fury of a constructed state in improvement, of a country at struggle, of violence and low, vallenato and coca, theatre performs and corruption, museums and legal bands, shrimps and frying, multimillionaires and multimiserables, of a land of magic and tragic realism. Love and hate in spray strokes.

Bogotá es el centro del arte callejero de América Latina. Este libro recoge 158 muestras de l. a. mejor creatividad de urgencia y emergencia, los miedos y furores de un país desarrollado en desarrollo, de un país en guerra, de violencia y café, vallenato y coca, teatro y corrupción, museos y combinations, camarones y fritangas, multimillonarios y multimiserables, de una tierra de realismo mágico y trágico. Amor y odio a golpe de spray.

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Extra info for Bogotá: Grafiticity. Colombian Street Art

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In 12 * est. semel tetrago natura prima tetrago natura est generatio . *. est. . . est, Sed unitas Sed haec . Filii et, ut verum prima est generatio. fateor, tetrago natura haec . and 62 eo quod gignit, Pater eo quod gignitur Filius in 13. See Haureau, Notes, pp. , in which Thierry introduces the passage from Wisd. of Sol. 1 1 :20b as the primordial principle of creation: "... creatio numerorum rerum est 108 14. " nunc, Jansen, p. 13 *. Almost omnibus aequalitas est, ita Librum identical is the passage by Thierry's pupil, Clarembaldus; see Jansen, p.

The questions on which our at- must focus are how the Gothic cathedral represents the vision of heaven, and what was the religious and metaphysical experience that demanded this new mode of representation. The evidence of Gothic architecture itself will lead us to an answer. few exceptions, the Gothic builders have been significance of their projects, but they are geometry as the basis of their art. This is unanimous in paying tribute to revealed even by a glance at Gothic architectural drawings, such as the thirteenth-century Reims palimpsest the great collections of the Prague and Vienna cathedral lodges; of like beautiful patterns The architectural members lines perspective.

17 It is no longer necessary to insist on the overwhelming importance of this geometrical element in Gothic design. order and aesthetic cohesion. But tect It constitutes the very principle of medium through which also the it is conveyed an image of the structural forces joined together its the archi- in his building. " is indeed functionalist, especially so And the this singular In this sense, however, Gothic when we compare we may "geometrical functionalism," as more remarkable if we recall with Romanesque.

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