New PDF release: Borges' Short Stories: A Reader's Guide

By Rex Butler

The Argentine author Jorge Luis Borges is surely one of many defining voices of our age. because the moment international battle, his paintings has had an important impression on generations of writers, philosophers, and literary theorists. This consultant bargains an in depth interpreting of ten of Borges' maximum brief tales, looking to convey out the common sense that has made his paintings so influential. the most component to the consultant bargains an research of such keywords in Borges' paintings as "labyrinth" and the "infinite" and analyzes Borges' specific narrative innovations.

This consultant additionally units Borges' paintings inside of its wider literary, cultural and highbrow contexts and offers an annotated consultant to either scholarly and renowned responses to his paintings to help extra reading.


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Additional info for Borges' Short Stories: A Reader's Guide

Sample text

But, as we have seen, if this second, mortalizing stream is found as a consequence of immortality, it also brings about immortality. Immortality does not exist until after that second stream has been found. In this sense, drinking from that second stream is the only act not covered by immortality, that is not sure to happen, insofar as immortality arises as a result of it. And perhaps by this drinking of water from the second stream we mean the narration of immortality, for again without this narration immortality would not exist.

And it is perhaps first of all the relationship between an author and their reader. This is why it is entirely appropriate that it is Borges in the end who is the ‘Kafka’ that Kafka and his precursors have in common. It is Borges who sees the relationship between Kafka and his various precursors, and thus makes of Kafka his own precursor. It is only Borges who has read this far-flung list, and who all of these authors, who would otherwise have nothing in common, can be seen to have in common. ‘PIERRE MENARD, AUTHOR OF THE QUIXOTE ’ ‘Pierre Menard, Author of the Quixote’ is undoubtedly one of Borges’ most famous and critically elaborated texts.

Each moment is at once the moment of our death – the attempt to take the place of that moment at the end of time in which opposites cancel and correct each other – and the deferral of this end – the cancelling and correction of a previous cancelling and correction. We might attempt to represent this diagrammatically: { mortality { mortality immortality It is for this reason that ‘The Immortal’, like ‘The Garden of Forking Paths’, is about time. In ‘The Garden of Forking Paths’, Albert in deciphering Yu’s labyrinth speaks of time as being its real subject.

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