By François Verlinden
This eighth installment in VP’s renowned construction army Dioramas sequence good points eight new articles masking the paintings of constructing army dioramas & vignettes. 3 new articles from the workshops at vice chairman studios comprise Die Brucke with an easy wood bridge, box maintenance (at Lunchtime) that includes a superdetailed Academy M12 Gun Motor Carriage, and protecting the Bridge, demonstrating the big new bridge method from vice chairman. Greg Cihlar returns with four new dioramas: what percentage? with an enticing RSO/Pak forty, Aftermath of an ambush scene using the vice president Pak forty three anti-tank gun, Sniper causing casualties on GI’s taking conceal in the back of a Sherman tank, and acquired Milk? that includes a BMP-2E in Chechnya. German modeler Robert Doepp recreates a vintage Sheperd paine diorama using the 38cm RW sixty one on attack mortar Sturmtiger along with his Durchbruch (Breakthrough). This most recent e-book back provides to encourage & amaze either amateur and professional modelers, in addition to non-modelers.
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Extra info for Building Military Dioramas, Volume 8
Here as in other industrial facilities they have designed, where practical requirements linked to manufacturing are complex, Valode & Pistre have succeeded in imposing an esthetically pleasing solution that also meets the needs of the client. The association of the flower shape with a perfume and cosmetics manufacturer might have been almost too obvious, but in the hands of the architects, it becomes more of an abstraction than a figurative reference in any sense. In this context, the spectacular roof demonstrates that Valode & Pistre are less identifiable for any stylistic characteristic than they are in terms of their approach.
5 meters. With beams spanning the full 84-meter width, technical ducts in the ceilings and further technical spaces below grade, Hall 4 offers an exceptional size and flexibility. Linear skylights accompany the spanning beams, laid out in an east-west arrangement. The second completed facility was Hall 5, with its 200-meter long façade engaging the residential scale of the Boulevard Lefebvre. Large aluminum panels divided by curtain wall glazing sit atop a concrete base, colored to resemble the limestone façades of the apartment buildings opposite.
Made up of four blocks with superimposed theaters, separated by a double-height interior “street,” the complex gives an impression of ample space, again not typical of most French movie architecture. Intended to stand out at night, the Strasbourg UGC Ciné-Cité animates a new area of the city that looked rather abandoned than animated until the arrival of Valode & Pistre. Strasbourg UGC Ciné-Cité I 53 I 56 Strasbourg UGC Ciné-Cité Both of these projects reveal the particular intelligence of the work of Valode & Pistre that allays an understanding of the mechanics of architecture itself, an interest in the function and use of their buildings, and an attention to both details and budgetary constraints.