By Isobel Armstrong
Isobel Armstrong's startlingly unique and wonderfully illustrated ebook tells the tales that spring from the mass-production of glass in nineteenth-century England. relocating throughout know-how, undefined, neighborhood background, structure, literature, print tradition, the visible arts, optics, and philosophy, it is going to remodel our figuring out of the Victorian period.
The mass creation of glass within the 19th century reworked an historic fabric right into a sleek one, even as reworking the surroundings and the nineteenth-century mind's eye. It created a brand new glass tradition hitherto not possible. Glass tradition constituted Victorian modernity. It was once made of countless diversifications of the prefabricated glass panel, and the lens. The reflect and the window grew to become its formative parts, either the texts and elements of glass tradition. The
glassworlds of the century are heterogeneous. They take place themselves within the applied sciences of the manufacturing unit furnace, within the myths of Cinderella and her glass slipper circulated in print media, within the ideologies of the conservatory as construction variety, within the fantasia of the shopfront, within the creation of
chandeliers, within the Crystal Palace, and the lens-made pictures of the magic lantern and microscope. yet they have been however ruled by means of inescapable stipulations.
First, to appear via glass was once to seem in the course of the residues of the breath of an unknown artisan, simply because glass used to be mass produced through incorporating glassblowing into the department of labour. moment, actually a brand new medium, glass introduced the paradox of transparency and the issues of mediation into the standard. It intervened among seer and visible, incorporating a latest philosophical challenge into physically adventure. hence for poets and novelists glass took on fabric and ontological,
political, and aesthetic meanings.
Reading glass forwards into Bauhaus modernism, Walter Benjamin ignored an early section of glass tradition the place the languages of glass are diverse. The publication charts this part in 3 elements. manufacturing unit documents, exchange union files, and periodicals record the person brands and artisans who based glass tradition, the commercial travelers who defined it, and the systematic politics of window-breaking. half , culminating in glass less than glass on the Crystal Palace, reads the
glassing of our environment, together with the reflect, the window, and controversy around the conservatory, and their inscription in poems and novels. half 3 explores the lens, from optical toys to 'philosophical' tools because the telescope and microscope have been known.
A meditation on its historical past and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.