Read e-book online Comic Relief: A Comprehensive Philosophy of Humor (New PDF

By John Morreall

Comedian aid: A complete Philosophy of Humor develops an inclusive thought that integrates mental, aesthetic, and moral concerns when it comes to humor deals an enlightening and available foray into the intense company of humorReveals how ordinary theories of humor fail to give an explanation for its actual nature and really help conventional prejudices opposed to humor as being delinquent, irrational, and foolishArgues that humor’s advantages overlap considerably with these of philosophyIncludes a foreword by means of Robert Mankoff, sketch Editor of the recent Yorker

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Extra resources for Comic Relief: A Comprehensive Philosophy of Humor (New Directions in Aesthetics)

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52 So in the first versions of the Relief Theory, the nervous system was represented as a network of tubes inside which the animal spirits sometimes build up pressure, as in emotional excitement, that calls for release. A good analogy is the way excess steam builds up in a steam boiler. These boilers are fitted with relief valves to vent excess pressure, and, according to the Relief Theory, laughter serves a similar function in the nervous system. ”53 Over the next two centuries, thinkers such as Herbert Spencer and Sigmund Freud revised the biology behind this theory and added new elements of their own.

It matters to you; you care about it. Not only do many objects of amusement not evoke desires, but there is a tension between having desires about something and finding it funny. If a friend of mine is drunk and struggling to stand up, I won’t find his awkward movements funny to the extent that I want him to get up smoothly and safely. To laugh at his movements, I have to suspend my practical concern for him. ” Try, for a moment, to become interested in everything that is being said and done; act, in imagination, with those who act, and feel with those who feel; in a word, give your sympathy its widest expansion; as though at the touch of a fairy wand you will see the flimsiest of objects assume importance, and a gloomy hue spread over everything.

If Freud were to respond that we do not actually go through with the process of thinking about the clown’s movements, then how would we come to realize that those movements were too much for the task at hand, and how would we know what our own movements would be, to do the same thing? Another problem for Freud here is accounting for the person who is comic because they reach their goals expending less energy than we would expend – Tom Sawyer getting the other boys to whitewash the fence, for example.

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