By Glenn Alterman
• transparent how-tos for writing precise fabric, shape monologues to onel-person indicates
• Empowering, enlightening, effortless to use
within the moment version of this renowned consultant, actors discover ways to use their abilities to jot down monologues, functionality artwork items, and one-person performs. up to date to incorporate unique interviews and pointers on advertising and marketing, this consultant is helping actors create their very own interesting functionality possibilities and stick with within the footsteps of Elaine Stritch, Billy Crystal, John Leguizamo, and different stunningly winning writer-performers of one-person indicates. the writer, an award-winning actor, breaks down the writing method into basic steps, training the reader via every one degree of the artistic trip.
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Additional resources for Creating Your Own Monologue
Since this book offers guidance for actors in creating their own material, we’ll be looking at techniques and approaches that merge both of these professions. As you will note in Part II, not all actors/creators work as the traditional writer does, although some do adhere to a more “writerly” process. qxd 7/22/05 4:59 PM Page 14 PART 1 / THE MONOLOGUE: WRITING, REHEARSING, PERFORMING 14 As an Actor, Do I Have the Necessary Skills to Create My Own Material? I personally feel that anyone can write, tell stories, create monologues.
It forces the main character to take pauses to listen, and then, quite often, waste valuable stage time repeating the questions just asked by the imaginary character. That device can become tiresome very quickly. Questions Every Monologue Must Answer Since monologues are stories, they must be held accountable for the basic ingredients that are true of any story. Answering the following questions in your monologue will give it detail, depth, and texture. Also, the more information you, the writer, have about what you’re creating, the richer your work can be.
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