By Ann Cleeves
First released 1999 through Macmillan
This version released 2010 through Pan Books
This digital version released 2014 by means of Pan Books
The Crow seize is the 1st ebook in Ann Cleeves’ Vera Stanhope sequence – that's now an immense ITV detective drama starring Brenda Blethyn, VERA. 3 very varied ladies come jointly at remoted Baikie’s Cottage at the North Pennines, to accomplish an environmental survey. 3 girls who each one be aware of the which means of betrayal . . . Rachael, the workforce chief, continues to be reeling after a double betrayal by way of her lover and boss, Peter Kemp. Anne, a botanist, sees the survey as an opportunity to take pleasure in a bit deception of her personal.
And then there's Grace, a wierd, uncommunicative younger lady, hiding lots of her personal secrets and techniques. Rachael is the 1st to reach on the cottage, the place she discovers the physique of her good friend, Bella Furness. Bella, apparently, has dedicated suicide – a verdict Rachael refuses to just accept. whilst one other loss of life happens, a fourth lady enters the image – the novel Detective Inspector Vera Stanhope...
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Additional info for Crow Trap (Vera Stanhope, Book 1)
30 If flesh enslaves or corrupts, the implication is that there is something there to be enslaved and corrupted: some part of the self that is not flesh. 31 The Augustinian formula of an ‘inner’ and ‘outer’ man was widely used throughout the Middle Ages to evoke a sense of the self, fractured and polarised by sin. The outer and inner man,Augustine said, are like Adam and Christ. Where one signifies corruptible, fallen humanity, the other holds the promise of man’s 24 S I G H T A N D E M B O D I M E N T I N T H E M I D D L E AG E S renewal in the ‘image and likeness of God’.
And as the embodiment of the flesh, Eve was united in nature and purpose with the serpent. 15 Not just because we are tempted by sensual pleasures as Eve was tempted by the serpent, but because sensuality is a movement. 17 In fact, in The Trinity the serpent provides Augustine with an image of the fall:‘the slippery movement of falling away [from the good] takes possession of the careless little by little . 19 In other words, because bodily sensations are (for the most part) pleasurable, the sensitive soul is drawn towards the source of those sensations.
22 In this sense, the ‘fall’ of vision describes the slippery—one might say serpentine—descent of the body and soul, from their original condition of complementarity to their present state of fleshly discord. The fleshly eye, then, is the eye held in thrall by earthly delights, and moved by sensual desires.