By Nils L. Wallin, Björn Merker, Steven Brown
What organic and cognitive forces have formed humankind's musical habit and the wealthy worldwide repertoire of musical buildings? what's track for, and why does each human tradition have it? What are the common gains of song and musical habit throughout cultures? during this groundbreaking e-book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come jointly for the 1st time to ascertain those and comparable matters. The e-book should be considered as representing the beginning of evolutionary biomusicology—the examine of in order to give a contribution enormously to our realizing of the evolutionary precursors of human track, the evolution of the hominid vocal tract, localization of mind functionality, the constitution of acoustic-communication indications, symbolic gesture, emotional manipulation via sound, self-expression, creativity, the human affinity for the religious, and the human attachment to tune itself. members: Simha Arom, Derek Bickerton, Steven Brown, Ellen Dissanayake, Dean Falk, David W. Frayer, Walter Freeman, Thomas Geissmann, Marc D. Hauser, Michel Imberty, Harry Jerison, Drago Kunej, Fran?ois-Bernard M?che, Peter Marler, Bj?rn Merker, Geoffrey Miller, Jean Molino, Bruno Nettl, Chris Nicolay, Katharine Payne, Bruce Richman, Peter J. B. Slater, Peter Todd, Sandra Trehub, Ivan Turk, Maria Ujhelyi, Nils L. Wallin, Carol Whaling.
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Additional info for The Origins of Music (Bradford Books)
Species-universal microstructure in the learned song of the swamp sparrow (Melospiza georgiana). Animal Behaviour 32:673-689. Marler, P. and Tenaza, R. (1977). Communication in apes with special reference to vocalizations. In T. A. ) How Animals Communicate (pp. 965-1033). Bloomington: Indiana University Press. Mitani, J. C. (1994). Ethological studies of chimpanzee vocal behavior. In R. W. Wrangham, W. C. McGrew, F. B. M. de Waal, and P. G. ) Chimpanzee Cultures. Cambridge: Harvard University Press.
Social Communication Among Primates (pp. 281-324). Chicago: Chicago University Press. Tamura, N. -S. (1993). Vocalizations in response to predators in three species of Malaysian Callosciurus (Sciuridae). Journal of Mammalogy 74:703-714. Tenaza, R. R. (1976). Songs and related behavior of Kloss’ gibbons (Hylobataes klossii) in Siberut Island, Indonesia. Zeitschrift für Tierpsychologie 40:37-52. Ujhelyi, M. (1996). Is there any intermediate stage between animal communication and language? Journal of Theoretical Biology 180:71-76.
Each of the thousands of winter wren songs that exist means basically the same thing. Each serves as a kind of badge or emblem, a sign that denotes identity, population membership, and social status. The diversity may impress the listener with the performer’s virtuosity, and in some species certainly enhances his reproductive prospects (Catchpole and Slater 1995), as is argued for human music (Miller, this volume). Such functions are important enough from a communicative point of view, and there may be others.